skyline hamburg
skyline hamburg-i don't know, i always just like, i liked singing atschool, do you know what i mean? my nan, like, helped me. she had a piano in her spare room so i used to just go in there all the timeand play it. i had like a love for it. i kind of really like classical music before though that was like the first thingi really liked.
when i got like fifteen i was kind of like yeah like jazz like it’s the way. i’m not like a singer-songwriter i’m more of producer who sings kind of thing,you know? sounds like wings do you know what i mean? that sound i was never into the kind of crazy chords changing like constantly jazz
i was more into the very slow kind of more ballad-y kind of jazz. that kind of like late 50's west coast jazz, that kind of bill evans, chet baker it’s just serious. i think that helped more shape my music than anything else. you do go a bit crazy after while
listening to the same thing over and overagain. yeah, i've lived here for about a year and a half. i really like the area. the park’s at the end of the road whichis like amazing, man. it’s a good place to like walk pets. i kind of like talking about things like personal struggles. but in a romantic, you know, sense.
there’s beauty in simplicity you know? it has to kind of flow really quickly otherwise it’s just going to sound a bittoo kind of forced. if i don’t complete that song in like twodays i know it’s not a song that’s gonna work. i’m playing latitude i’m playing, uh, reeperbahn in, uh, hamburg in september.
oh really? yeah. jeez. that’ll be sick. yo, like i would prefer not to like perform like live gigs because i have like mad, kind of, do you know what i mean, like, uh anxiety levels and shit, you know that like so yeah it’s just kind of like
every single time i like finish a show i always think why don’t i do this more often? yeah that’s what i’m saying. but the longer i wait between shows and i think about and i think about it and i think about it. you got it i reckon it’s important that my friendslike my music
i hope so, yeah. we all listen to the same music. we all draw inferences from the same things, so, yeah. we like the thing each other create. there’s no need to, like, go searching anywhere else for it, like, we chill together we make music together
it’s not like a business it’s just, uh, exactly, just a group of friends doing what they wanna to do. i don’t know if it kind of molds thesound like people say it does but i don’t know, it’s debatable. it’s a good area to be in it’s an important area to be in, like,
there’s definitely a scene growing here there’s more of, like, a communal feel, i don’t know, it’s just like a just like a better vibeyou know? and i think that just comes across in everybody’s artwork and music that comes around here. you’re surrounded by different shit and by different people and different walks of life and that like
affects you personally so like it effects songwriting i guess. i think it might have made my music a bitdarker. i’ll always live in london. i have nothing inside me that wants to, like, travel too far.
when i got like fifteen i was kind of like yeah like jazz like it’s the way. i’m not like a singer-songwriter i’m more of producer who sings kind of thing,you know? sounds like wings do you know what i mean? that sound i was never into the kind of crazy chords changing like constantly jazz
i was more into the very slow kind of more ballad-y kind of jazz. that kind of like late 50's west coast jazz, that kind of bill evans, chet baker it’s just serious. i think that helped more shape my music than anything else. you do go a bit crazy after while
listening to the same thing over and overagain. yeah, i've lived here for about a year and a half. i really like the area. the park’s at the end of the road whichis like amazing, man. it’s a good place to like walk pets. i kind of like talking about things like personal struggles. but in a romantic, you know, sense.
there’s beauty in simplicity you know? it has to kind of flow really quickly otherwise it’s just going to sound a bittoo kind of forced. if i don’t complete that song in like twodays i know it’s not a song that’s gonna work. i’m playing latitude i’m playing, uh, reeperbahn in, uh, hamburg in september.
oh really? yeah. jeez. that’ll be sick. yo, like i would prefer not to like perform like live gigs because i have like mad, kind of, do you know what i mean, like, uh anxiety levels and shit, you know that like so yeah it’s just kind of like
every single time i like finish a show i always think why don’t i do this more often? yeah that’s what i’m saying. but the longer i wait between shows and i think about and i think about it and i think about it. you got it i reckon it’s important that my friendslike my music
i hope so, yeah. we all listen to the same music. we all draw inferences from the same things, so, yeah. we like the thing each other create. there’s no need to, like, go searching anywhere else for it, like, we chill together we make music together
it’s not like a business it’s just, uh, exactly, just a group of friends doing what they wanna to do. i don’t know if it kind of molds thesound like people say it does but i don’t know, it’s debatable. it’s a good area to be in it’s an important area to be in, like,
there’s definitely a scene growing here there’s more of, like, a communal feel, i don’t know, it’s just like a just like a better vibeyou know? and i think that just comes across in everybody’s artwork and music that comes around here. you’re surrounded by different shit and by different people and different walks of life and that like
affects you personally so like it effects songwriting i guess. i think it might have made my music a bitdarker. i’ll always live in london. i have nothing inside me that wants to, like, travel too far.
